VCUarts presents

Annual Screen Dance Screening

Friday, September 25, 2026 · 7:30–9:00 p.m.

Grace Street Theater
934 W Grace St, Richmond, VA 23220

Featuring San Francisco Dance Film Festival · Audience Favorites 2025
Tonight's program

Movement on screen

Join us for films by JA Collective, half•alive, Lindsay Benson Garrett and filmmakers featured in Dance Film SF’s Audience Favorites 2025 touring reel. The reel moves between playful surrealism, intimate portraits, cultural ritual and experiments with technology.

Screening lineup

Films & credits

Opening selections

Still from Ahead, Behind

Ahead, Behind

Choreographed and performed:
JA Collective
Directed, edited, VFX:
Ben Kadie
Cinematography:
Matt Burke
Music & sound design:
J. Tyler Johnson
Still from “weekend plans”

“weekend plans”

Choreography:
JA Collective
Performed by:
CLI Conservatory

CY5 Black Box Film

Still from Intermission

Intermission

Created and performed by:
Brett Kramer and Aidan Carberry
Directed, edited and choreographed by:
Aidan Carberry
Music:
Brett Kramer
Cinematography:
Keean Johnson
Lighting:
Anna Merritt
Produced by:
half•alive
Still from Fate of Choice

Fate of Choice Excerpt

Choreography:
Stephanie Dorrycott and dancers
Directed and edited by:
Lindsay Benson Garrett
Performed by:
Kristina Ancil Edwards, Lindsay Benson Garrett, Kelly McGill
Music:
dans ma main by Jean-Michel
Still from Polyscope

Polyscope Excerpts

Choreography:
Dancers
Directed and edited by:
Lindsay Benson Garrett
Performed by:
Colleen Edwards, Kristina Ancil Edwards, Naomi Hill, Caitlin Murray, Emma Petinaux, Gabby Petinaux, V Cangelosi
Music:
Migration by Guillaume Feran; Luci by Anna Caragnano and Donato Dozzy

Dance Film SF · Audience Favorites 2025

This selection brings together films from the 2025 San Francisco Dance Film Festival, spanning French Polynesia, Sevilla, robotics, poetry and cultural ritual. Together, the works show how dance film bridges tradition and technology, personal reflection and collective memory.

Still from Klanglicht: Sound of Light

Klanglicht: Sound of Light

Germany · 2025 · 2:20

Director:
Boris Seewald
Choreographer:
Marie Zechiel
Still from Aito Hine

Aito Hine

French Polynesia · 2024 · 13:50

Director:
Krysten Resnick
Choreographer:
Tehani Robinson
Still from Ode Maritima

Ode Maritima

France & Portugal · 2024 · 6:15

Director:
Fu Le
Choreographers:
Maga lie Lanriot, Roel Q Seeber
Still from Carmen

Carmen

Spain & United Kingdom · 2025 · 4:37

Director:
Andrew Margetson
Choreographer:
Carmen Aviles
Still from Spoken Movement Family Honour

Spoken Movement Family Honour

United Kingdom · 2025 · 9:50

Director:
Daniel Gurton
Choreographer:
Kwame Asato-Adjei
Still from JA Robot Club

JA Robot Club

United States · 2025 · 1:22

Directors:
Jordan Johnson, Aidan Carberry
Choreographer:
JA Collective
Still from Instinct

Instinct

Spain · 2025 · 2:45

Director and choreographer:
Lohitzune Rodriguez
Still from West

West

Netherlands · 2024 · 11:40

Director:
Thomas Bos
Choreographer:
Erik Bos
Still from Tempest

Tempest

Germany · 2024 · 2:59

Director:
Gideon Merz
Choreographer:
Agnes Su
Still from Talchum: The Mask Dance

Talchum: The Mask Dance

Republic of Korea · 2025 · 2:02

Directors:
Hong Jae Im, Hwayong Jung
Choreographers:
Aiki & Hook
Still from Una Notte a Napoli

Una Notte a Napoli

Spain · 2024 · 3:45

Director and choreographer:
Lucia Lopez Sanchez
Viewing guide

How to watch a dance film

Dance films speak a language that’s part movement, part cinema. The camera chooses what you see, how close you get and where your eye is drawn.

The body as storyteller

When there’s no dialogue, what does the dancer’s body seem to be saying?

Camera and choreography

When does the camera move with the dancer or stay still? What do close-ups and editing reveal or leave out?

Sound and silence

Does the dance follow the music or push against it? How do ambient sound and silence change the movement?

Place and space

How does the location shape the dancers’ movement or the film’s meaning?

After the screening

  • Which image or moment stayed with you, and why?
  • What single word or feeling would you place at the center of a film? What gave you that sense?
  • Which setting or choice surprised you?
  • Could the dance exist live, or does it belong to the film?
VCU Dance and Choreography

2026–27 season

Fall Salon

October 23 · 7:30 p.m.
VCU Dance Center, room 203

Fall Senior Projects · Ticket required

November 21 and 22 · 7:30 p.m.
Grace Street Theatre

Rough Cuts Film Screening

February 5 · 7:30 p.m.
Grace Street Theatre

Dance NOW 2027 · Ticket required

February 18, 19 and 20 · 7:30 p.m.
Grace Street Theatre

Spring Salon

April 2 · 7:30 p.m.
VCU Dance Center, room 203

Spring Senior Projects · Ticket required

April 23 and 24 · 7:30 p.m.
Grace Street Theatre

Collaborative Opera with VCU Music · Ticket required

April 30 · 7:00 p.m.; May 2 · 4:00 p.m.
W.E. Singleton Center for the Performing Arts

First Year Repertory Concert

April 30 · 7:30 p.m. · Date subject to change
Grace Street Theatre

Learn more about the VCU Department of Dance and Choreography